Projects best suited to master/affiliate clip handling are well logged, with discrete clips that you don't plan on subdividing much. The master/affiliate clip-handling scheme keeps your clip duplicates in sync, which can simplify your life when you're media-managing certain types of projects. Change the reel name of the master clip, and the reel name of the affiliate clip in the sequence reflects the same change. The In and Out points you set when you edited that clip into your sequence can be adjusted independently of the master clip, but if you rename that affiliate copy, the name of its master clip is also renamed. An affiliate copy of that master clip appears in the sequence. Here's an example: You have a master clip in the Browser, and you edit it into your sequence. The master/affiliate clips' shared properties are all related to media management clip properties that remain independent-In and Out points, markers, and applied effects-are all modified during the normal course of editing and must remain independent in each clip copy you use. The master/affiliate/independent clip type classifications and behavior are designed to make the linkage between FCP clips and their media files more bulletproof by automatically updating all affiliated clips when you make a change to a shared property on any of the individual affiliates anywhere in the project. FCP uses a different class of clip types-subclip, merged clip, and sequence-to identify clips that reference a portion of another clip (like a subclip) or multiple clips (like merged clips, multiclips, and sequences).įCP 4 introduced three new clip types-master, affiliate, and independent-to identify clips that are linked by shared properties (like master and affiliate clips) or clips whose properties and behavior are independent of other clips (like independent clips). Final Cut Pro has always used clip types-audio, video, graphic, and generated-to identify clips that reference different types of source media.
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